Karen Uslin

Director of Research at Defiant Requiem Foundation

Member since January 2026

Museums and Institutions

Education: Muhlenberg College - Catholic University of America, Temple University
Washington D.C., DC, USA

Biography

Karen Lin Uslin, Ph.D., is a scholar, educator and public speaker specializing in Holocaust memory, interfaith engagement, and cultural identity. She serves as Director of Research for the Defiant Requiem Foundation and teaches Jewish Studies at Stockton University and Musicology at The Catholic University of America. She holds a Ph.D. in Musicology/Central & eastern European Studies from The Catholic University of America, with research focused on music, memory, and faith under persecution. She is Vice-President of the Carpatho-Rusyn Society and, as an adoptee, brings personal insight to genealogy and questions of identity, heritage, and belonging.

Passion

I love helping people reconnect with cultural identity — especially through memory, music, and story. Whether it's the Holocaust-era music created under persecution, or an adopted person tracing their biological heritage through genealogy, I'm passionate about how people rebuild belonging after rupture.

Best Story

I often share the story of singing music connected to Holocaust memory in Catholic spaces — including at the Vatican — while also being a Roman Catholic-raised scholar who later discovered her own Eastern European biological heritage as an adopted person. That personal journey gave me a deeper understanding of why memory work maters — not only for Jewish communities, but for all communities shaped by trauma, displacement, and silence.

Origin Story

My career started in academia, but I was drawn to public impact: bringing Holocaust memory into cultural institutions, faith communities, and international spaces. I moved into cultural memory and interfaith engagement through Holocaust education and performance-based public history. Over time, my own identity journey as an adoptee deepened my focus: I now work at the intersection of public scholarship, cultural diplomacy, faith communities, and genealogy and legacy work.

Topics/Keywords

holocaust remembrance holocaust education holocaust memory jewish history genocide prevention human rights interfaith engagement religious diplomacy faith-based dialogue catholic-jewish relations cultural diplomacy public history cultural identity heritage and belonging trauma and memory eastern europe central europe music and memory music under persecution arts as resistance genealogy adoption identity leaving a legacy

Featured Video

I am willing to travel more than 100 miles
Yes
I generally get paid for speaking but make exceptions

Best Story

I often share the story of singing music connected to Holocaust memory in Catholic spaces — including at the Vatican — while also being a Roman Catholic-raised scholar who later discovered her own Eastern European biological heritage as an adopted person. That personal journey gave me a deeper understanding of why memory work maters — not only for Jewish communities, but for all communities shaped by trauma, displacement, and silence.

Origin Story

My career started in academia, but I was drawn to public impact: bringing Holocaust memory into cultural institutions, faith communities, and international spaces. I moved into cultural memory and interfaith engagement through Holocaust education and performance-based public history. Over time, my own identity journey as an adoptee deepened my focus: I now work at the intersection of public scholarship, cultural diplomacy, faith communities, and genealogy and legacy work.

I am willing to travel more than 100 miles
Yes
I generally get paid for speaking but make exceptions

Topics/Keywords

holocaust remembrance holocaust education holocaust memory jewish history genocide prevention human rights interfaith engagement religious diplomacy faith-based dialogue catholic-jewish relations cultural diplomacy public history cultural identity heritage and belonging trauma and memory eastern europe central europe music and memory music under persecution arts as resistance genealogy adoption identity leaving a legacy